CRIT Journal seeks to gather a set of artistic and literary works that reflect themes related to liminality, transition, border states, and the imperceptible. This could mean literally depicting dusk or fog, or it could mean something more metaphorical. Hybrid genres are especially desired for the purposes of this project.
Issues appear around the cross-quarter holidays.
There are no hard limits on length, but longer works will have to be of especially high quality. This does not, however, mean that sloppy short work will be accepted. Attempts to bully us into accepting your work will be laughed at. (Yes, this has happened. Some white men feel very entitled to publication.)
Send submissions to critjournal@gmail.com, or send images to the CRIT Submissions pool on Flickr. For text submissions, nearly any word processing format (except .docx) is acceptable, but .odt is best.
As CRIT does not currently have any incoming revenue, we are not able to pay contributors. No one working on this project is paid, so don't accuse us of being greedy bastards. (This has happened, too, though in much fouler language.) If we ever do make more money than we spend, we probably will pay writers.
| Issue | Deadline | Publication Date |
| Samhain | October 1 | November 1 |
| Imbolc | January 1 | February 1 |
| Beltaine | April 1 | May 1 |
| Lughnasadh | July 1 | August 1 |
In addition to regular submissions, CRIT is now seeking pieces for ;, a poetry anthology featuring the semicolon. We are looking for poems (in the broad sense that includes vispo and the like) that use the semicolon in innovative and prominent ways. We will also accept prose (fiction or non) if it is about the use of the semicolon in poetry or uses the semicolon in an especially stunning manner. This is meant to be the first in a series of punctuation-oriented anthologies. DEADLINE: September 22, 2008. Send submissions to critjournal@gmail.com, and be sure to specify the anthology in your subject line.
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